oh, this has been quite lovely. 2021, closest thing I've come since I discovered Chris Botti's "A THOUSAND KISSES" back in... when was that? 2014? -maybe 2013... When I volunteered to man an art gallery at Junction festival (when I was still sewing my roots and connecting to my own home). That album was all about that winter and trumpet dreaming (me there with harmonium in art gallery playing ambient drones) and now, THIS album and just getting my head together and I exricate myself from my current job and (hopefully) absorb a new role which might bring me closer to my SOCIALWORK dreams... (counselling, community, MEN, projects etc...) -it sure is nice to have music I can lose myself into and use as a soundtrack of my NOW. -I don't know it'll necesarrilly have enough substance to be album of the year, but it did take me back to when I used to walk around Kenmore listening to Public Image cassettes. Meditative escapism. Very nice. I imagine It would have been a hit in the old house with Parsons. I wonder how he is at the moment... One day I'll go up north for a visit arooni...
Mike Pride - I Hate Work
This is a special one. Right now, all three available tracks are delightful and memorable. For me, this is the kind of music that lingers. I remember when that Aaron Parks album came out in 2018 and it became the soundtrack of finishing the uni I was doing. It still takes me back to a lovely place. I remember I went to Queensland and got drunk with my friends and went saw the opera and ate curry and walked along the beach in Coloundra. This album sounds like it's going to do that. It sounds like whatever's gonna happen this summer/christmas whatever, this album will take me back there. It's chill, but it's got attitude too (thirwell doing vox on track 3 for example). The piano makes it civilised and the recording sounds just right to become part of my eternal canon. This sense of space and time is exactly what I think Jazz should be. If these guys played here every week, I'd never miss a show. When I listen to this...
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